BangladeshBook of Records
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Culture & arts

Nakshi Kantha, Stories in Stitches

Layered cloth and patient running stitches give nakshi kantha its texture, turning reused fabric into bedding, gifts and scenes of everyday life.

Spread a nakshi kantha across a bed and the surface seems to move beneath the light. Rows of small running stitches gather layers of cloth into soft ripples. Traditionally, worn saris and other household fabrics supplied much of the material. Reuse was practical, but embroidery could turn that practical object into something intensely personal. Flowers, birds, curling vines and scenes of daily life appear across many quilts. A maker might work outward from a central design or fill separate spaces as time allowed. There is no single pattern that defines every district or household. The quiet pull of thread through old cotton is part of a process shaped by available hours, materials and skill. Kantha can be bedding, a gift or an object kept for its associations with someone who made it. Today artisans also embroider new cloth for clothing and furnishings. Looking closely means noticing the stitches as well as the picture, and recognising the labour behind a surface that may appear effortless from a distance.